MEGAFAUNA: Cave painting may illustrate giant extinct flightless bird that roamed Australia around 40,000 years ago

Cave painting image by Ben Gunn found here and here. Pencil drawing of Genyornis newtoni by Nobu Tamura found here

Researchers believe that this cave painting may depict Genyornis—a giant flightless bird that roamed Australia “until their sudden disappearance [4]0,000 years ago, about the same time that humans arrived in Australia.” Today, the only large flightless birds that inhabit Australia are the emu (Dromaius novaehollandiae) and the southern cassowary (Casuarius casuarius). Feral ostriches occur in Australia too. More via GrrlScientist and ABC Darwin:

Archaeologist Ben Gunn said the giant birds became extinct more than 40,000 years ago.

“The details on this painting indicate that it was done by someone who knew that animal very well,” he said.

He says the detail could not have been passed down through oral storytelling.

“If it is a Genyornis, and it certainly does have all the features of one, it would be the oldest dated visual painting that we’ve got in Australia,” he said.

“Either the painting is 40,000 years old, which is when science thinks Genyornis disappeared, or alternatively the Genyornis lived a lot longer than science has been able to establish.”

Mr Gunn says there are paintings of other extinct animals right across the area including the thylacine, or tasmanian tiger, the giant echidna and giant kangaroo.

“It does give you a window back to a time that you can pinpoint, and in the case of the Genyornis it’s a very long picture,” he said.

The traditional owners of the land in the Northern Territory say they are excited the painting could be Australia’s oldest dated rock art.

On the Net:

  1. Ancient Diets Of Australian Birds Point To Big Ecosystem Changes

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TEA PARTY objects to its portrayal in Captain America comic

Apparently, the tea party movement doesn’t like what it sees in the mirror, but the controversial marvel comic below mirrors the tea party protests. According to the New York Times, “Marvel Comics, Captain America’s longtime publisher . . . said it would amend a recent issue of his comic-book series after it upset members of the Tea Party movement” More:

In issue No. 602 of Captain America, the hero and his ally the Falcon find themselves at a rally where protesters hold signs that read “Tea Bag the Libs Before They Tea Bag You!” and “Stop the Socialists!” Captain America remarks that the assembly appears to be an “anti-tax thing,” and the Falcon, who is black, says he probably would not fit in with “a bunch of angry white folks.”

The sequence incited complaints from Tea Party officials who say it is an unfair criticism of their movement. In an interview with FoxNews.com, Michael Johns, a board member of the Nationwide Tea Party Coalition, called the characters’ apparent jabs “juvenile,” adding: “The Tea Party movement has been very reflective of broad concerns of all Americans. Membership is across ethnic, religious and even political lines.”

Image found here

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RECOMMENDED ARTIST: Luke Jarram creates transparent glass sculptures of bacteria and viruses

These enlarged and magnificent glass examples of otherwise very tiny species of bacteria and viruses help bring the tiniest examples of life into perspective. More on Jerram’s glass sculptures can be found here, and don’t miss another interesting concept from Jerram—”Play Me, I’m Yours.”

Via Neatorama and Luke Jarram

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PHOTOGRAPHY: Edward Burtynsky’s oil photo exhibit opens in D.C.

About the photographer and his work:

Edward Burtynsky has traveled internationally for more than a decade to chronicle the global production, distribution, and use of oil; the energy source that has shaped the modern world. This world premiere exhibition provides a penetrating look at one of the most important subjects of our time, by one of the most respected and recognized contemporary photographers in the world.

Curator Paul Roth’s introduction to the Corcoran Exhibition entitled “Edward Burtynsky: Oil”:

Another video: “Manufactured Landscapes” by Edward Burtynsky:

More from DCist.com (emphasis added):

“How do you photograph something you can’t see?,” was the question Edward Burtynsky faced when creating the images in Oil, on view at the Corcoran Gallery of Art starting tomorrow. The world-renowned photographer began his career focused on consumerism and consumption, but around 15 years ago he had his “oil epiphany” – that oil is at the center of everything in an industrialized world and yet, we never see it, only its end products. The resulting portfolio of work is not a heavy-handed political statement, but a gorgeous documentary on the uses and ugliness of oil. I first discovered Burtynsky’s work in the (must-see) 2006 documentary Manufactured Landscapes and, admittedly, have eagerly been looking forward to seeing his work in person. It did not even remotely disappoint.

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RECOMMENDED ARTIST: Dash Snow

A powerful image:

Dash Snow_Hell

Untitled, (Hell). By Dash Snow, who recently died at 27. Via here and here.

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