PHOTOGRAPHY: Edward Burtynsky’s oil photo exhibit opens in D.C.

About the photographer and his work:

Edward Burtynsky has traveled internationally for more than a decade to chronicle the global production, distribution, and use of oil; the energy source that has shaped the modern world. This world premiere exhibition provides a penetrating look at one of the most important subjects of our time, by one of the most respected and recognized contemporary photographers in the world.

Curator Paul Roth’s introduction to the Corcoran Exhibition entitled “Edward Burtynsky: Oil”:

Another video: “Manufactured Landscapes” by Edward Burtynsky:

More from DCist.com (emphasis added):

“How do you photograph something you can’t see?,” was the question Edward Burtynsky faced when creating the images in Oil, on view at the Corcoran Gallery of Art starting tomorrow. The world-renowned photographer began his career focused on consumerism and consumption, but around 15 years ago he had his “oil epiphany” – that oil is at the center of everything in an industrialized world and yet, we never see it, only its end products. The resulting portfolio of work is not a heavy-handed political statement, but a gorgeous documentary on the uses and ugliness of oil. I first discovered Burtynsky’s work in the (must-see) 2006 documentary Manufactured Landscapes and, admittedly, have eagerly been looking forward to seeing his work in person. It did not even remotely disappoint.

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RECOMMENDED ARTIST: Dina Goldstein

Dina Goldstein, a Vancouver photographer, has a very interesting series called “Fallen Princesses.” Her work “takes on the subject of the fairytale juxtaposed into modern reality of adult life.” According to the artist, “In all of the images the Princess is placed in an environment that articulates her conflict. The ‘…happily ever after’ is replaced with a realistic outcome and addresses current issues.”

Dina Goldstein_Fallen PrincessesDina Goldstein_Fallen Princesses2

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STREET ART conveys political and social messages

The best from Flickr: Thought provoking street art by Banksy and other artists

Banksy in Birmingham: Of course, the artwork was quickly spray painted over

Banksy BirminghamPhoto source for attribution here

Banksy in New Orleans with Rain Girl

BanksyPhoto source for attribution here

Gray Ghost Revenge!

BanksyPhoto source for attribution here

Yellow Lines Flower Painter

BanksyPhoto source for attribution here

Take This Society

BanksyPhoto source for attribution here

Stop and Search: How far should we go? How far can we go?

BanksyImage found here

Balloon Girl

BanksyPhoto source for attribution here

Bomb Hugger . The fragility of society—with its cities, infrastructure, and markets—is often unobserved or ignored.

Banksy Bomb HuggerImage found here

Video: Banksy Versus Bristol Museum

More here: Clandestine artist leaves his mark on New Orleans’ streets

Other political graffiti (authors unknown)

“There must be some kind of way out of here . . .” Banksy?

Shopping CartPhoto source for attribution here

Representing detainee in orange jumpsuit at U.S. Naval Base in Guantánamo Bay, Cuba

Political GraffitiPhoto source for attribution here

Consumerism can’t lead to happiness

GraffitiPhoto source for attribution here. Photo by Dave Knapik.

Reliance on fossil fuels is suicide

OilPhoto source for attribution here

Obama over Banksy

ObamaPhoto source for attribution here

A take on Norman Rockwell’s The Problem We All Live With, inspired by Banksy’s Balloon Girl

The Problem We All Live WithPhoto source for attribution here

The authors or licensors of these images do not endorse my work or me and their images are protected under an attribution license.

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RECOMMENDED IMAGE(S): A crop of fluorescent tubes powered by transmission lines

These fluorescent tubes are “powered entirely by electrical fields generated by the power lines that float in curves over the top of this field.” Visit Richard Box for more images.

fluorescent-bulbs-richard-boxfluorescent-bulbs-richard-box2fluorescent-bulbs-richard-box3

Images were found here, here, and here.

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